Breaking into the Mainstream Film Industry

As I sit here writing this blog post on New Years Eve, I'm thinking what 2014 will hold for a struggling independent filmmaker like me? The industry has been changing, yet somehow did not form in the way a lot of indie filmmakers, myself especially, had envisioned. With the failure of companies like Dynamo Player and Chill, signs that hinted that the "break" from traditional distributors and the hollywood system is going to be harder, and take longer, or perhaps not come at all.

Looking back on the last 3 years after the release of my first independent feature film "Bang Bang", I can say it has been a very tough struggle and definitely more difficult than I could have ever imagined in my youthful naive.

You know when you're young you have all this energy and this I don't give a fuck I'll take over the world attitude. And as you get older and wiser, you see the immature thinking that you had as a youth. Although that hunger and drive is admirable, it needs to be directed by wisdom and knowledge.

I've come to realize that the independent film industry is struggling more than ever before.(read this Int. with John Sayles) Even with all the new technology, and excitement of youtube, hulu, netflix, it's not looking good for us. Because these platforms are all trying to become mainstream. Just look at the direction each one has taken with their content.

I will be pursuing a traditional distributor for my next film LAS VEGAS STORY. I plan to write scripts that can be picked up by other producers and funded through traditional ways rather than the whole Crowdfunding/private equity/self financed direction I've been taking. Its just too hard and not a good idea when you're struggling to pay rent. I recently watched an interview with Francis Ford Coppola from 1997 in which he talks about how he went into the wine business to give himself financial stability. This is after he made all those big hits like Apocalypse Now, & The Godfather.

Filmmaking is a gamble. The biggest gamble anyone can make. Every time you make a film, you put your life on the line. After awhile, you kinda get burnt out from playing Russian Roulette.


I've also come to realize theres more to life than just making films. Part of becoming a good director is to enjoy life and experience life outside of making movies. So for next year, 2014, I hope to focus more on my spiritual growth, and in turn it will bring me to a higher place than I can ever imagine in all aspects of life, including my career.

I plan to spend time writing seriously, and also networking with Producers by attending film festivals and film markets. I will focus on getting financial stability, health, and reconnecting with family. Sometimes we get lost in our passion for our dreams, that we forget to smell the flowers. 2014 here I come! Happy New Year Everyone!

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Reelhouse.org has launched my film!

Hey guys, So i've just launched my film BANG BANG on this new digital distribution platform I found called REELHOUSE.ORG I'm embedding the player here as a test. Check them out if you're looking for a place for your film. They give filmmakers 94% cut.



Here's the link to the film on the site:
https://www.reelhouse.org/beyondcinema/bangbang/trailer

UPDATE:(1/27/14) ReelHouse so far has exceeded my expectations. They are better then chill.com. The main reason I say this is because of the way that the sales are made. Each sale goes directly to my PayPal account. Then PayPal sends Reelhouse there cut of 6%. This means I get my money right away, and 100% transparency of sales. No more waiting for another company to send me my money. not to mention, their platform and branding is really great, and allows for integration with social media, and is in itself, more socially driven with users creating accounts, and users following or subscribing to your profile, or films.

Self Distribution with Reelhouse.org

So now that Chill.com is shutting down, I need to find another platform to move my film Bang Bang. I think I found a great Home. It is called reelhouse.org, and what they offer is a better deal than chill.com. I just signed up so I don't have all the information to write a review, but from what I understand, they are offering a 94% cut to the filmmaker. This is great because chill was only offering 70%.

Their website and platform looks very aesthetically pleasing, and easy to use. They also have partnered with Warner Bros. to offer more than just indie films to their viewers. I think this is a great business model and it achieves where Chill and Dynamo player could not. This integration of bigger films along with indie-direct-to-audience films is a good idea because it allows for crossover audiences.

Here is a link from PBS which gives an overview of the DIY platforms (Where I found out about Reelhouse)

I'll update y'all once I've launched my film and perhaps write a review on my experience with them.

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Self Distributing your own movie really Sucks

Having self distributed my 1st 2 feature films, I've come to the conclusion that self distributing films is not something I will be actively pursuing. It is a extremely difficult task, and takes tremendous amounts of work, time, effort, and knowledge. You end up spending hours upon hours researching, marketing, promoting, and dealing with the business aspect, negotiating, booking theaters, e-mailing aggregators, working with designers, web developers, and just a whole bunch of stuff that is simply not filmmaking. I've gone through this experience and have learned a lot. Now I need to take another direction with my career, and that is to take it to the next level.

I will now dedicate my time to developing my skills as a writer And developing scripts that have both creative and commercial appeal. All those countless hours spent doing social media, countless hours researching the ever-changing world of DIY distribution, I should have put that time into developing my writing.

I have a new film called LAS VEGAS STORY which will be hitting the festival circuit in 2014. I have high hopes for this film, as it has better production value, bigger names(Eric Roberts), better writing, and has more general appeal in terms of the story and concept. With this film I hope to secure distribution, and be done with it. On to the next one. I'm already working with a Chinese Producer to develop a film for the Chinese Market. Lets see how this goes. Meanwhile, working on my newest script "THE 10th TRAVELER", a sci-fi drama that deals with a man traveling into the future.

The thing with this industry is that everyone wants to know what your next project is, and if you don't have something to pitch, when the time comes, those opportunities will pass you by. I need to have ammo stocked up, if I'm going to war. Have at least one script, one solid script, that you can pitch. Also have 2 or more other concepts ready to pitch if the 1st script is passed on. These 2 concepts can just be ideas in your head but you need to have them.

The other thing they say about this industry is that it's not about what you know but who you know. That's true. The 2nd part at least. Still need to have talent, assets, things to bring to the table. But once you have those assets, you need to find the right people that will help you make these films. I need to go out and network with producers, producers that have access to financing, both on a domestic level, and international level. Begin attending major film festivals all across the world, and start putting those social skills to use. All those years of partying in college, partying in Hollywood, meeting people, I have to do that now but in a different way. Here goes nothing! 2014 will be a great year, new vision, new direction, new places.

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